Death Proof – Film Review

In this film review I will be tackling Death Proof – a film that had some wonderful, comedic moments, but was also tainted by overindulgent dialogue that seemed to go on… and on… and on…

And on…

I know it’s a Quentin Tarantino movie, and that’s one of the elements you’d to expect when watching one, but this film’s dialogue wasn’t that interesting if I’m being honest. Yes, it’s great listening to a group of girls talk about sex and shit (I use that word loosely – they didn’t once bring up scatology), but after a while it becomes an impotent affair.

The film is split into two acts. The first act follows a group of girls to a bar, who are soon to get killed by some weird stalker guy with a stunt car that he’s dubbed ‘death proof’. His name is Stuntman Mike (played by Kirk Russell). I wished his character was developed more: it was a bit too one-dimensional for my liking. We don’t even know why he’s stalking these girls and killing them! Sure, it hints at how he possibly gets a sexual kick out of it, but to me, the viewer, it just comes a cross as cowardly to the highest degree. I would have liked the film to have explored this avenue more, giving Stuntman Mike more depth to why he’s hell bent on killing people, using his car.

Don’t get me wrong – I did enjoy parts of this film, such as when one of the girls gave Stuntman Mike a lap dance in the bar. I liked the fact she was wearing flip flops whilst she was doing it (the director apparently has a foot fetish). Come to think of it, there is a lot of exposed feet in this flick, which tells me that this Quentin isn’t afraid to indulge in his desires, which is fine – just don’t bore me (like you did with the dialogue). It’s a shame the film didn’t keep to the tone of the latter half of the movie, because if he’d kept the tone a 100% goofy violent comedy, then this could have been [possibly] my favourite movie by him, but instead it falls short of that mark by a long way. I don’t know a lot about the back story of this, but it comes off as a rushed project, or a project with no real focused identity or vision, which is strange considering what he’s done previously and after this film.

Another scene I enjoyed in this movie what when Mike gives a blonde girl a lift home, but then tells her directly that he has no intention of doing so. That bit of dialogue there was actually very good, very Tarantinoesque (i.e. he gets the character to explain to another character that they have no option but to do as they say). I was a bit shocked by the way the girl died inside the stunt car, but I should have seen it coming really – the fact that she didn’t have a proper seat, and that there was a divider between them in the car was a bad omen (plus the fact she got in the car with a guy who had photos of the girls pinned to his pull down mirror. Creep much?

And then he does a head-on collision with the group of girls, killing them but surviving because of his ‘death proof’ car. And 14 months later, he’s at it again, stalking another group of girls. And I’m thinking, doesn’t this guy have any healthy hobbies he could pursue instead of his insatiable lust of killing groups of women? Like scrabble, for instance?

But the bully gets his comeuppance this time around, as the second group of girls manage to flip his car, and pull him out of it. They form a circle and take turns plummeting punches into his pitiful face, until one of them roundhouse kicks him to the ground. ‘The end,’ it says on the screen abruptly. I thought this was a satisfying ending as that worm of a man, Stuntman Mike, didn’t deserve to be on this earth with that sick perverted attitude of his. He was scum in a scum bucket, and thankfully the girls prevailed in the end – hurrah!

In this car chase that came before his capturing, there was some epic stunts done by the character played by Zoe Bell, in which she climbs onto the bonnet of the Dodge Challenger, using two belts that have been pinched in the car doors for balance.

Just because this film has many flaws and bores packed in it, it did still have it’s moments, and when those came up on the screen, the viewing experience was a pleasurable one. But because this is a film that couldn’t make up what kind of film it wanted to be, and could have done with about 30 minutes less of dialogue taken out, I have to award this motion piccy a fairly low score of:



Fargo – Season 1, Episode 4 (Review)

How FAR can this murder mystery GO, that is the question; and no – I’m not shakespere. I am a BEAR – check out my username: bearfilmreview. Read it! Read it again. And now stare at it. Let it burn into your retina until when you blink and look away, staring at your BEAR/bare walls all around your room, all your see is that word. And it is a word because there are no spaces! Okay, that’s enough insanity – let’s crack on with another review instalment of the Fargo series…

For the opening scene, we travel back to 1987, down the snowbound road of yesterday, in the sleepy outskirts of the sleepy town in Minnesota. A car breaks down. In the car is a younger version of Stavros. His wife is not please and is pissed, thinking her baby son is going to freeze to death. A truck drives towards their vechile, and Stavros flails his arms about in the road to get it’s attention. The darn driver just drives past, sounding his horn. How horrid!

But wait! What’s that Stavos can see in the distance, by the metal fence? What is that sticking out from the snow, he wonders. Walking up to it, he pulls the thing out from the ground, then discovers that there is a bag containing a bank-full of money in there. He gets back in the car and goes, “There really is a god.”

Jesus-Mary-Mother-of-God – It’s MOAN-EE!! (circa 1987)

By chance, the policeman in the different branch to Molly (soz – I forget his name. So sue me. Actually, don’t – I’m poor) stumbles upon Lorne on one of his drives. Lorne immediately comes his hair to the side, buttons up his shirt, and takes on the innocent, minister identity. You know – the identity he stole when he unravelled that parcel in the post office.

At the police station, he gets interrogated by that police officer’s boss (turns out, the police officer is only in charge of pet patrol) and the sheriff, aka Molly’s boss. Deputy Molly was meant to be the one who the officer wanted to come over to his branch, but being the big mouth she is, Molly tells all about what’s just happened to the Sheriff, and he not likely that, nuh-uh.

When I say “interrogated”, what I mean is – neither cop was smart enough to call the “minister’s” bluff, and soon enough, let him off the hook. I loved the unshapely glasses on his head too, and the smile he gives the officer through the interrogation viewing window was priceless. And so was the fact the officer said exactly what Lorne had predicted he would say (but at the time, in the cop car, it seemed like a threat).


And then there’s Lester. Poor old Lester – the deaf guy and his friend/interpretor (but slowly becoming less and less a friend by the minute), capture him on the street. They merely, nonchalantly piled Lester into the bootof their car, and then drive off. Whilst in the boot, he rings up his younger brother, but then bails on him and tells him that the story he’d just told him was a complete fabrication and a prank. Lester did this because he was afraid his brother was about to call the police.

Remember where the fat office man got dumped? Well, we return to that patch of ice land (no, not the shop – right Peter?) and this time, it’s Lester’s turn to freeze in the chilly waters. But Lester, being resourceful as he is, stole his brother’s taser from the basement. And when the bearded fellow isn’t paying complete attention, he stuns him with his stun gun. And the deaf one, drilling the hole in the ground doesn’t hear him because: A. he’s deaf, and B. yup, you guessed it – he’s DEAF (caps lock on, in case you didn’t hear that). Lester runs through the dense woods, and onto a road, where a policeman was investigating an abandoned car. Lester wants a lift into town to get away from the guys who think he killed Hess (which, as we know, was Lorne’s doing – he put a knife into the back of his head as he was banging so pole dancer/hooker in the backroom of a strip club). He resorts to punching the cop on his conk, and then the policeman (a dozy one, at that) has to now arrest him. 

It’s taser time

And the episode concludes with the deaf guy and his bearded chum, scrapping in a bar, and getting thrown in jail. And who happens to be in the cell with them? Why of course, it had to be Lester. Poor sod.